A successful Texas gynecologist finds himself amid a bevy of women and their problems – his wife’s breakdown, his daughter's fake marriage, his other daughter’s conspiracy theories, and his secretary’s crush. Craving time for himself, he finds solace in a kind outsider.

The protagonist is the ordinary and still blameless Evžen Macík, who one day, while waiting for his lover Maria, witnesses a robbery of a savings bank. When the robber drops a briefcase with half a million in loot, the loot falls in front of Evžen, who can't resist, picks it up and disappears. He knows that someone might have seen him at the scene of the crime, so he turns himself in as a witness to Captain Richter, who is investigating the case. Shortly thereafter, however, Maciek is contacted by the robber, who begins to force him to hand over the money with constant threats, initially only by telephone. In addition to pressure from the robber, pressure from the police is added because Captain Richter correctly suspects that Macík is hiding something from him. The mounting pressure leads to Eugene starting to make mistakes.

The story centers on a group of gossipy, high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily-wedded Mary Haines finds her marriage in trouble when shop girl Crystal Allen gets her hooks into Mary's man.

Mary Haines's life falls apart and her social circle shatters after her husband's affair is revealed. Filmed version of the 2001 Broadway revival with the original cast reprising their roles.

It's 1910 and we're in Banbury church hall at the Banbury Intricate Craft Circle. Margaret has been to London and discovered the Women's Suffrage movement so she decides they need to set up their own movement and The Banbury Intricate Craft Circle becomes the hilariously ineffectual Banbury Intricate Craft Circle politely request women's Suffrage. Gwen is the only member who actually enjoys the craft element of the meetings, while Helen thinks that craft is a little unnecessary, but she's not interested in women's rights: "What on earth do women need a vote for? My husband votes for who I tell him to vote for. What could be a better system than that?"

It's 1910 and we're in Banbury church hall at the Banbury Intricate Craft Circle. Margaret has been to London and discovered the Women's Suffrage movement so she decides they need to set up their own movement and The Banbury Intricate Craft Circle becomes the hilariously ineffectual Banbury Intricate Craft Circle politely request women's Suffrage. Gwen is the only member who actually enjoys the craft element of the meetings, while Helen thinks that craft is a little unnecessary, but she's not interested in women's rights: "What on earth do women need a vote for? My husband votes for who I tell him to vote for. What could be a better system than that?"

WOMEN EATING MONSTERS ESCAPE FROM A SECRET LAB AND GO ON A KILLING SPREE! A HUNTER IS TASKED WITH LOCATING AND STOPPING THEM! BUT WILL HE BE ABLE TO SAVE ANY OF THE WOMEN WHO FACE THESE HORRIBLE CREATURES? OR WILL HE JUST BECOME ANOTHER VICTIM?

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

A group of women assess the contents of social media profiles submitted by viewers.

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women